Showing posts with label Homosexuality. Show all posts
Showing posts with label Homosexuality. Show all posts
Tuesday, July 26, 2011
Ash: Malinda Lo
Ash is the Cinderella fairy tale for the queer set. Instead of being the pauper girl chosen by the prince, this story features an orphan who is caught in a love triangle between a handsome fairy and a beautiful huntress. Malinda Lo challenges the social norms we receive as children and sheds light on the magic of love.
The role of Cinderella is played by Aisling, nicknamed Ash. The story begins pretty much the way we remember it--her mother is dead, her father remarries (enter the evil stepmother and two ugly stepsisters), and then her poor papa dies, and Ash is left in the care of her conniving stepmother. The twist is that this story takes place in a time when the fairy kingdom was a part of not-so-distant lore. Ash dreams about what life with the fairies would be like, and in her youth she commits herself to a future with Sidhean-- a handsome fairy she meets one night while wandering in the Wood. As she grows up, Ash takes on the role of servant in her stepmother's household, and has limited exposure to the outside world. When stepsister Ana sets her sights on winning the prince's favor, Ash is taken into the City for the Yule celebration. On that fateful night, Ash meets Kaisa, the King's huntress. Kaisa is strong and powerful, yet beautiful. Ash and Kaisa become intrigued by one another and their friendship blossoms over the Spring and Summer months when Ash is able to escape for a few hours to herself.. As the renowned ball approaches, Ash realizes that her love for Kaisa has outgrown the commitment she once made to Sidhean, but she cannot back out of her promise to the fairy. Knowing that the ball may be her last chance to see Kaisa, Ash asks Sidhean for the favor of a gown and carriage to take her to the ball. In traditional fairy tale fashion, Ash catches the eye of the prince, who asks her to dance, and spends the rest of the evening looking for the belle of the ball. In not-so-typical fairy tale fashion, after her dance with the prince, Ash runs to find Kaisa and share a moment with her. Realizing that she could never be fully happy with Sidhean, Ash must ask the fairy to release her so that she may have a life of love.
A friend of mine read and adored this book, and said that I had to read it because I would absolutely love it. While I didn't absolutely love it, I did really enjoy it. I love how Lo bravely knits together the classic Cinderella story with relevant themes of homosexuality and commitment. To my inner child, this story represents hope that true love will always win. It is also refreshing to read a novel that features a strong and competent female, as well as a love-lorn male. This "role reversal" is rare in young adult fiction these days, though it is desperately needed. Young women need strong and capable role models to counteract the simpering, vapid starlets of today's media.
While Lo is a great storyteller, I'm not a huge fan of her writing. Unlike her creative plot, her writing lacks inventiveness. While her descriptions are detailed, they weren't quite eloquent enough to take me to the scene. And though her characters are mostly borrowed from a well known storybook, she has done little to add dimension. That said, I am a sucker for a good story, and I am happy to recommend this novel based on its merit as a well-told fairy tale.
Rating: $$.5
Monday, January 31, 2011
Shine: Lauren Myracle
I don't know what drew me to this book. It's about a hate crime against a gay teenager. Stories like this infuriate me, so I usually avoid them. But something about this one caught my interest, and I'm so glad it did. Shine is an incredibly intense story that literally left me breathless. The last twenty pages had my heart racing and my blood pumping.
Cat is a sixteen year old loner in her tiny Southern town of Black Rock. She is one of only three students who passed 11th grade. Poverty and drug abuse are rampant. They aren't quite the hill people of Appalachia, but very nearly. When a hate crime is committed against Cat's childhood friend, Patrick, she breaks out of her comfort zone to track down the attacker. Her first suspects are a group of boys, including her own brother, who taunted Patrick for being gay, but simultaneously offered him protection from others who might have hurt him. Cat interrogates each member of the Redneck Posse but comes up empty handed. While trying to find Patrick's attacker, Cat is forced to face the people she shut out of her life after a disturbing experience when she was just 13. After enlisting the help of several people who knew and loved Patrick, Cat makes a shocking discovery that may risk her life.
Wow. That's the only word to describe this book. It is intense and emotional and dramatic and painful and hopeful. It is about Truth and Justice and Poverty and Drug Abuse and Secrets and Friendship and Family. The characters are dimensional. The story is real. The mystery is intriguing. The ending is...breathless. I have read books by Lauren Myracle, always thinking that she's an average young adult writer: relatable teen characters, modern conflicts, happily-ever-after endings. Shine proves me to be wrong on so many levels. Which isn't to say that the characters in this book aren't relatable or that the conflict isn't modern, because they are. Cat is a very real heroine with very real faults and very admirable strengths, and unfortunately Hate Crimes are a part of daily life for people all over the world. However, this book doesn't have a happily ever after. Because it's a realistic story with a realistic ending, and the reality of Meth abuse is usually death.
A word of warning to my sensitive readers; this book is emotional and intense, at times even painful to read. If you have ever encountered sex abuse, drug abuse, or hate crimes, this book will hit very close to home and could be triggering.
On the other hand, Shine serves as an incredible piece of social criticism art, reminding readers of a forgotten region in America and forcing us to acknowledge that the battle against prejudice is ongoing.
Rating: $$$
ARC received courtesy of Abrams Books.
Monday, November 23, 2009
Brokeback Mountain: Annie Proulx
Brokeback Mountain is a short story that Annie Proulx included in a collection of shorts titled Close Range. It is a tale about two old fashioned cowboys—rough, gritty, and aggressive men—who spend a herding season on Brokeback Mountain together, working with a herd of sheep. In a short span of time and very close proximity, they discover something in one another that they have each longed for all their lives. They connect on a level that is intangible to both of them. Startled by the discovery, they never title their love, refusing the terms “gay” and “queer”. Each man marries and has children, while maintaining their friendship. They both know the possible consequences of being caught together.
I find it difficult to read a book after having seen the movie, because I will inevitably place the movie actors in the roles of the characters without giving the writer the chance to describe them. Brokeback Mountain doesn’t have that problem. Proulx is such a fantastic writer that in the 55 pages of her short story, she is able to illustrate the characters of Ennis del Mar and Jack Twist with such clarity that the Brokeback Mountain movie actors are separate characters.
When Brokeback Mountain was made into a movie, it was garish and romantic. Grown, straight men cried, and young gay men held their heads a little higher. I personally feel that it was an incredibly important film, and it was some of the best acting either of the leading men have ever accomplished. Reading the short story gave me further insight. Proulx writing is clever and very real, setting her above other writers. The gruff adoration of two cowboys for each other isn’t treated like a Hollywood love story—it’s told as honestly as if Ennis del Mar had sat down and wrote the story himself.
I find it difficult to read a book after having seen the movie, because I will inevitably place the movie actors in the roles of the characters without giving the writer the chance to describe them. Brokeback Mountain doesn’t have that problem. Proulx is such a fantastic writer that in the 55 pages of her short story, she is able to illustrate the characters of Ennis del Mar and Jack Twist with such clarity that the Brokeback Mountain movie actors are separate characters.
When Brokeback Mountain was made into a movie, it was garish and romantic. Grown, straight men cried, and young gay men held their heads a little higher. I personally feel that it was an incredibly important film, and it was some of the best acting either of the leading men have ever accomplished. Reading the short story gave me further insight. Proulx writing is clever and very real, setting her above other writers. The gruff adoration of two cowboys for each other isn’t treated like a Hollywood love story—it’s told as honestly as if Ennis del Mar had sat down and wrote the story himself.
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