Moloka'i: Alan Brennert

You know how, when someone you respect proclaims the glory of a book, and you are compelled to immediately go out and find a copy? That's how I came across Moloka'i by Alan Brennert. It was my father who read the book after he received the recommendation from someone else...which seems to be the way with this author. I believe that word-of-mouth has garnered him a great amount of fame. His fourth publication, Moloka'i is about the fifth largest of the Hawaiian islands and the strange culture bred there in it's years as a leper colony.

Rachel is just seven years old when she is taken from her family because of wounds that aren't painful, and red splotches on her skin that won't heal. In the late 19th century, Hansen's Disease, or leprosy as it is more commonly known, was a death sentence. It was a misunderstood affliction that remained a mystery for nearly a hundred years; known as the flesh-eating disease, it condemned it's sufferers to physically painless disfigurement but endless emotional anguish. Spitfire Rachel is already more familiar with leprosy than she'd like, having already seen her uncle Pono shipped off the Moloka'i. When her turn comes, her sole comfort is knowing that uncle Pono will be waiting for her. What follows is an intimate exploration of what life on the island of Moloka'i was like during it's years as a leper colony. Rachel is housed  in the school for girls, and then in the home that her uncle shared with his leper wife. While traversing the bureaucratic wilds of a Hawaiian island that has been left to die in the Pacific Ocean, Rachel comes of age and learns a great deal about love and the many ways it appears.

I found myself addicted to this story. Why? Am I secretly fascinated by leprosy? Do I like a good cathartic read? Does the rocky butte known as Moloka'i appeal to me? Maybe all of the above. Here's what I know for sure. I like Rachel. I like her from the very beginning, when she is just a little kid, disobeying her mom, arguing with her siblings, and cherishing the dolls her dad brings back to her from overseas. Rachel is not a complex character--she is actually very simple. She is just a little girl who is ripped away from everything she knows at a young age, and is forced to find good in the new world she finds herself in, or die slowly, miserable with her lot in life. It's not as if she is living in the lush green jungle of Maui or the white sandy beaches of Oahu. Moloka'i was chosen as the leper colony because it was considered undesirable land. Very little could grow on the mountain of rock, and the ocean meets the sand in only a few stretches. I wanted to imagine that Rachel was aging in a beautiful paradise, but the reality is that she was watching her friends die as she aged and became more disfigured. And yet, this isn't a sad story. In fact, it's sort of uplifting! It sounds impossible, but it turns out that Rachel's life serves a purpose and she touches so very many lives. Her resolve never fizzles, as she wakes every day determined to live. Brennert's book is a fictionalized account based on true events that should make any sane person feel at least a little sad at the way so many people were treated. Instead, he has written a story that exposes only a few of the horrors suffered by the afflicted, and turned it into a relatable story of inspiration. I can't help but admire him!

Rating: $$$

Washington Square: Henry James

As a long standing fan of Henry James, I picked up Washington Square expecting the Henry James version of Jane Austen's Sense and Sensibility. Summarized as the tale of docile Catherine Sloper, the daughter of well-to-do Dr. Sloper, Washington Square is a study in "the moral consequences of the callous exploitation of trust and the ruthless manipulation of a tender heart." Moral consequences! Callous exploitation! Ruthless manipulation! AND a tender heart? Sign me up! What I found instead, was a challenging read about a lifestyle so far removed from my own that I struggled to choke it down.

To begin with, try to keep in mind that Washington Square takes place in the 1840's New York. An era when roads were still traversed by carriage, but the electric lamp was on the verge of appearance. Things were changing in many ways, but there were still only a handful of options for a young woman: get married, become a wealthy spinster, or be a governess or house maid. I am generally able to acclimate to this idea fairly quickly, however the harder pill to swallow is the idea that a young woman's worth is based first in her appearance, then in her wealth, and only lastly in her personality. Catherine Sloper is the young, marrying aged daughter of Dr. Sloper, who describes his daughter as one might a dog. She is not clever, but she is very "good", which is fortunate because she is so uncomely. She is loyal, which will favor her in marriage to whomever will settle on her. "Dr. Sloper would have liked to be proud of his daughter; but there was nothing to be proud of in dear Catherine." (7) Catherine is spoken of in such terms that offend me on her behalf! I can only assume that this characterization of the young woman from her own father's mouth is meant to illustrate either her extensive shortcomings, or his attitude of negativity. I am prone to believe in the latter, but here's the draw... this story has no resolution.

It's a short and simple story that goes like this. Catherine meets a man named Morris Townsend. Morris is said to have no money as he lost all of his own on a wild lifestyle of gambling and women. Morris sets his eye on Catherine, which arises suspicion in her father. After all, she is a plain girl, without cleverness. Why on Earth would an attractive play boy like Morris take interest? Obviously it has to do with all of her money. She already receives an annual stipend from her deceased mother's estate, and upon his death, Catherine will inherit the vast majority of Dr. Sloper's fortune. The good doctor takes it upon himself to warn his beloved, loyal daughter of the dangers that come with being courted by someone like Morris. He will woo her for her money, only to spend all of it and leave her destitute, at which point, having no moral fiber at all, Morris will leave poor, dumb Catherine in the gutter. Thinking to outwit the young man, Dr. Sloper forbids Catherine to marry Morris, on penalty of losing her inheritance. Believing that Morris will lose all interest in his daughter once she has been cut off from her impending wealth, Dr. Sloper refuses to bend despite Catherine's emotional pleas to accept her undying love for Morris Townsend. The young woman finds herself torn between her heart and filial obligations. She has spent these years sheltered in the care of her father, who now threatens to remove that care should she marry Morris Townsend, who seems hesitant to make her any promises for the future. To further complicate things, Catherine's meddlesome aunt Lavinia finds the idea of an elopement terribly romantic, and is constantly intruding on the couple, encouraging them first to wait out Dr. Sloper, and when that doesn't work, to rush out and marry in secret. When it becomes obvious that Dr. Sloper will never relent, Morris breaks the engagement. Because he doesn't want to interfere with the loving relationship of father and daughter, as he says? Or because he doesn't want to be the cause of her unhappiness? Or, as Dr. Sloper suspects, because he has no interest in a woman without a fortune. I won't spoil the ending for you, but I can say that there is no happily ever after. For anyone. No one is really satisfied, and our omniscient narrator doesn't provide us with any black and white truths to indicate Morris' motivations.

I can say without a doubt that this is my least favorite Henry James novel. As a debate in morals, I suppose this might be an excellent text to study. Who is the most moral character? Who is the most virtuous? My inclination is of course to tout the honors of Catherine who bravely faces first her father, and then Morris, prepared to do whatever is asked, to take any punishment, in favor of being true to her heart. On the other hand, it is Dr. Sloper who sticks, inflexibly, to his position. We may assume that seeing his daughter broken-hearted would be painful for him, but he refuses to budge, and goes to his grave refusing to honor Catherine with her inheritance. However, I have to wonder just how much he loves his good and loyal daughter, considering the way he speaks about her, and then treats her. Regardless, I think it's fair to say that Morris has little moral fiber. If we are to believe that he takes leave of Catherine for the sake of her relationship with her father, then I suppose he is to be considered honorable. However, if his love was as pure as he says it is, I can't imagine that a little thing like disinheritance would drive him away.

So I guess what I'm trying to say is, I didn't much care for it. And I apparently have a really hard time with books that don't end with obvious resolutions.

Rating: $.5

Rebecca: Daphne du Maurier

I first came upon du Maurier's Rebecca in a fellow book blog, despite it's standing as the classic that established du Maurier as one of the most popular writers of her time. But frankly, the story didn't capture me. An unnamed young woman, working as a companion to a stodgy old lady in Monte Carlo, encounters a handsome, wealthy, intriguing (read tall, dark, and handsome) gentleman whom she falls in love with. They get married, they honeymoon, and then they settle in at Mr. de Winter's home, Manderley. Side note, I simply love an estate with a name! Ah Manderley, where the head of housekeeping, Mrs. Danvers, still holds a flame for the late Mrs. de Winter, and where our young narrator believes her tall, dark, and handsome husband to regret their union due to an undying love for his deceased first wife. Sounds kind of, dare I say, dull? I now know that's because I was never introduced to Rebecca as a mystery. What sounds like a somewhat uninteresting tale of romance, is in fact an emotional roller coaster.

To begin with, du Maurier starts at the end. One of the most famous first lines ever written, "Last night I dreamt I went to Manderley again," takes place after the last page of the book. The trick is that by the time you get to the last page, you have been on such a journey with these multi-dimensional characters that you have forgotten how the story began. Which I suppose is a real testament to the meticulous story-telling of du Maurier. Her characters don't fall in love, they share quiet moments that bond them together. The narrator isn't just a young companion to a stodgy old lady, she is an incongruously naive girl who has traveled at the side of her employer. The staff at Manderley aren't just background housestaff, they are characters with motivations and emotions of their own that are described by their dialogue and their actions. To say that du Maurier has written a fine novel is an understatement. What she has really accomplished is the creation of an entire world that stands on it's own, and she has done so with a murderer amongst her cast!

I admit it takes a bit of time to become fully involved with Rebecca, but isn't that the way with real people? Humans are apt to share bits and pieces of themselves with us in small manageable chunks. So it is with Rebecca; we are slowly introduced to our cast as well as the Manderley estate. The many secrets are parceled out like rations so as not to spoil the mystery all at once. This isn't one of those mystery novels where you get an intuition from the very beginning about "whodunnit". Instead, the reader learns tidbits of information as our narrator does, never knowing more than the young Mrs. de Winter.

Simply stated, this book isn't for everyone. It's a classic mystery with a touch (maybe more like a handful?) of the Gothic tale. It's not action packed, and the murder is over and done with by the time we pick up the book. It is, however, an intriguing little mystery with twists and turns and a very fine line between good guys and bad guys.

Rating: $$.5

A Glorious Return?

Salutations my reader friends! It has been just over a year since my last review. Where have I been? Why did I disappear? Have I quit reading? The answers are, Work, Work, and Heck No! You see, once upon a time, I was an unemployed reader looking for something constructive to do with my time. So I started a blog about the books I read. I loved my blog, and I dedicated a lot of my time to it.

But as sometimes happens, I was hired, and then promoted into a job that...well, that sucks the life out of me. I work all day, I go home, I cook dinner, I do various tasks required of an independent adult, and then, if I'm lucky, I read for a few minutes before falling to sleep. This schedule leaves fairly little time to devour books and then compose concise reviews. So I (guiltily) abandoned my book blog.

Now here we are. A year later, and I am still reading, and I still want to share the books I find! I find my day job tedious and dull, not to mention unfulfilling, so I am rededicating myself. I don't want to reset passwords for the rest of my life and look back only to see that I accomplished so little. Reading and writing are my passions! I was recently asked what I hate NOT doing in my daily life, and the first thing that popped out of my mouth was "reading". So here I am. Back. to read as much as I possibly can, and tell you all about it. My posts will surely be fewer and farther between than in the past, but I do promise to keep posting. I hope you enjoy reading with me.

The Girl With The Dragon Tattoo: Stieg Larsson

I have a tendency to be behind the times. If a book series is a huge hit and sells out everywhere and makes all of the top ten lists...chances are I haven't read it yet. By the time I picked up my mass market paperback copy of The Girl With The Dragon Tattoo, I think the third book in the series had already been published. And it wasn't until last week when I finally picked up the hefty volume and decided to dive in.

Here's the thing about this book. It's not a story you can love. First of all, it moves achingly slowly through the first half, and then rushes right to the end in a way that left me feeling a little like I had just nearly drowned and come back to life, gasping for air and totally disoriented. It's also incredibly painful. Every character in this book is wounded in one way or another. It is worth noting that the original Swedish title is Men Who Hate Women, which tells you something about the kind of people who populate Larsson's novel.

However, here's the other thing about this book. It is intense and exciting. It is exhilarating and emotional. Not unlike the mafia, once you're in, you're in for life. The characters are so well written and well developed that they become fully dimensional people. This is one of those books which people talk about as if it were a real story, repeating bits of dialogue as if they had heard sound bytes on the evening news. For all it's faults, and certainly every book has one or two, this novel has become a part of our culture.

The story, as I mentioned, starts out slow. Mikael Blomqvist is a newspaper reporter who is being tried for libel against a very large, very powerful company. There are a ton of facts and pieces of history and some lame, limping outlines of a relationship that Mikael has with his editor. Meanwhile, we meet Lisbeth Salander who is under guardianship due to a history of anti-social behavior and general balking at authority. Her most recent and most lenient guardian has just passed away and she has been awarded to a new court-appointed guardian who seems hell-bent on lording his control over her. Lisbeth works for Milton Security, which appears to hire her out as a freelance private investigator. She has this uncanny ability to uncover every minuscule secret of a person's life without their ever knowing. It is this talent of hers that brings her together with Mikael Blomqvist. Mikael is hired by Henrik Vanger to investigate, and hopefully to solve, the 30 year old disappearance of his niece, Harriet. Mikael and Lisbeth become an intimate team in the effort to unravel the many mysteries of the Vanger family and discover what happened to Harriet.

The mystery is meticulously woven and then uncovered, the characters are dimensional and intelligent, the surprises are many, and the heroics are indeed heroic. Lisbeth Salander is both inspiring and pitiful. Mikael is at once brilliant and doltish. The mystery is predictable, and then completely shocking. As a warning to more sensitive readers, I do have to say that there is foul language, violence, and sex. However, it all felt right. Larsson has me hooked and I'm anxious to see what unfolds in the next book.

Rating: $$$

Burnout: Adrienne Maria Vrettos

Burnout is the story of Nan, a teenage girl who wakes up the morning after Halloween with no recollection of the night before. She wakes up on subway train wearing make up and a costume she doesn't remember. The problem is, while this would not have been unusual for Nan six months ago, she has since been through rehab, confronting her demons and leaving blackouts in the past. I was instantly intrigued by the idea of this mystery, so I was very excited when I won this book from GoodReads FirstReads.

At the heart of this novel is a girl who, I think, just wants to be good. Her home life is kind of a mess, so when she meets outrageous Seemy, Nan desparately wants to be her friend. Where Nan is big boned and amazon-esque, Seemy is petite and lithe. Nan is grounded and steady; Seemy is flighty and spontaneous. Nan falls in love with Seemy who prefers to avoid complex emotions in favor of one-night-stands with losers. Friendship with Seemy means skipping school to get drunk in the movie theater, or stand guard while she hooks up with a random guy in their sacred Carriage House. Despite it being a damaging friendship, Nan hangs on tightly to the lively girl who makes her feel special. Nan is a relatable character--most people, at one time or another, have been willing to forego rationality for the sake of affection from someone they love. For this reason, I care about Nan and how she came to wake up from a blackout after so many months in recovery.

I don't want to ruin the mystery, but I will say that not every question is answered...much like real life. There is some real terror in this story, inducing a heartwrenching kind of ache for these girls who are making choices that will impact their lives in significant ways. It's a fast read with memorable characters. Vrettos deserves the many accolades she has received this year for her stellar writing.

Rating: $$.5

Received courtesy of GoodReads FirstReads.

The It Girl: Cecily von Ziegesar

I am pretty far away from high school popularity. I attended high school in a very small town were popularity was incredibly relative. I don't recall any one particular girl whom everyone wanted to be or be with, and if that girl existed, she certainly wasn't me. My high school experience was such a unique one that I'm intrigued by girls who are willing to do and say and wear things outside their comfort zone for the sake of popularity. I suppose that curiousity is what led me to The It Girl.

Jenny --a spin-off character from the Gossip Girl series--has transferred to Waverly Boarding School where she hopes to shed her good-girl image, and earn some popularity with her new risk-taking attitude. Thanks to a series of mishaps and little white lies, Jenny fast becomes the most talked about girl on campus. The best-looking guys are all vying for her attention, and her pretty, popular roommates Brett and Callie are fawning over her. Mission....accomplished?

The It Girl is one of those books that I couldn't put down, but I couldn't tell you why. This isn't a page turner, full of adventure and action, nor is it a breathless romance. Truth be told, it's a droll little tale of drivel about unreal characters. So I suppose that's a testament to von Ziegesar's writing that she can keep my attention even when the subject is as trivial as high school popularity. The characters are flat and uninteresting, the plot is thin at best, and my interest in the outcome steadily waned from the very beginning. And yet, I couldn't put it down!

Rating: $.5

Ash: Malinda Lo

Ash is the Cinderella fairy tale for the queer set. Instead of being the pauper girl chosen by the prince, this story features an orphan who is caught in a love triangle between a handsome fairy and a beautiful huntress. Malinda Lo challenges the social norms we receive as children and sheds light on the magic of love.

The role of Cinderella is played by Aisling, nicknamed Ash. The story begins pretty much the way we remember it--her mother is dead, her father remarries (enter the evil stepmother and two ugly stepsisters), and then her poor papa dies, and Ash is left in the care of her conniving stepmother. The twist is that this story takes place in a time when the fairy kingdom was a part of not-so-distant lore. Ash dreams about what life with the fairies would be like, and in her youth she commits herself to a future with Sidhean-- a handsome fairy she meets one night while wandering in the Wood. As she grows up, Ash takes on the role of servant in her stepmother's household, and has limited exposure to the outside world. When stepsister Ana sets her sights on winning the prince's favor, Ash is taken into the City for the Yule celebration. On that fateful night, Ash meets Kaisa, the King's huntress. Kaisa is strong and powerful, yet beautiful. Ash and Kaisa become intrigued by one another and their friendship blossoms over the Spring and Summer months when Ash is able to escape for a few hours to herself.. As the renowned ball approaches, Ash realizes that her love for Kaisa has outgrown the commitment she once made to Sidhean, but she cannot back out of her promise to the fairy. Knowing that the ball may be her last chance to see Kaisa, Ash asks Sidhean for the favor of a gown and carriage to take her to the ball. In traditional fairy tale fashion, Ash catches the eye of the prince, who asks her to dance, and spends the rest of the evening looking for the belle of the ball. In not-so-typical fairy tale fashion, after her dance with the prince, Ash runs to find Kaisa and share a moment with her. Realizing that she could never be fully happy with Sidhean, Ash must ask the fairy to release her so that she may have a life of love.

A friend of mine read and adored this book, and said that I had to read it because I would absolutely love it. While I didn't absolutely love it, I did really enjoy it. I love how Lo bravely knits together the classic Cinderella story with relevant themes of homosexuality and commitment. To my inner child, this story represents hope that true love will always win. It is also refreshing to read a novel that features a strong and competent female, as well as a love-lorn male. This "role reversal" is rare in young adult fiction these days, though it is desperately needed. Young women need strong and capable role models to counteract the simpering, vapid starlets of today's media.

While Lo is a great storyteller, I'm not a huge fan of her writing. Unlike her creative plot, her writing lacks inventiveness. While her descriptions are detailed, they weren't quite eloquent enough to take me to the scene. And though her characters are mostly borrowed from a well known storybook, she has done little to add dimension. That said, I am a sucker for a good story, and I am happy to recommend this novel based on its merit as a well-told fairy tale.

Rating: $$.5

The Heart Specialist: Claire Holden Rothman

By far one of the most engrossing novels I've read this year, The Heart Specialist is a groundbreaking debut by Claire Holden Rothman who is sure to gain notoriety with her eloquent writing and colorful story-telling. Inspired by one of Montreal's first woman doctors, this novel is a beautiful depiction of the battles fought by women to gain entry into the male-dominated medical field.

Agnes White is a strange child who grows up to be a strange adult. Rather than playing with dolls, she prefers to dissect bugs and animals to study their biology. Agnes and her sister Laure are abandoned by their widower father, left to be raised by their stern grandmother who doesn't know what to do with outrageous Agnes. When Miss Georgiana Skerry is hired to be the girls' governess, Agnes expects opposition, but instead finds an ally in her educated governess. With Miss Skerry's encouragement, Agnes attends school and goes on to earn a college degree, which is no small feat at the turn of the 20th century. Her life becomes a battle of wills as Agnes tries to make a place for herself in the medical community, aligning herself with open-minded allies, fighting every day to prove herself worthy of her degree. While earning herself a reputation as an intelligent heart specialist, Agnes is also conducting her own research into the disappearance of her father who was once a well-respected doctor at McGill College, where Agnes now works as museum curator. Focused on her career and father, Agnes watches as so many of the societal norms for women her age pass by: courtship, marriage, children. Though she meets many eligible bachelors along the way, Agnes has fought so hard to be considered one of them that they hardly see her as feminine at all. It is only after she has been able to lay the mystery of her father to rest that Agnes is finally able to open her heart to the man who has been standing before her all along.

This book feels so much like Little Women. It's sort of angsty and the character of Agnes is so much like Jo March that they could easily be friends. Agnes and Jo are both so determined to have a career that they nearly miss out on love. I felt so breathless throughout this novel, hoping desperately that Agnes would finally open her eyes and let herself love the man who has so obviously adored her from day one. At times it was downright frustrating to watch as the pair stood so close to romance, but unable to close the gap because of social standards that kept either party from being too forward.

There are a lot of layers to this book. Honestly, I couldn't possibly give a proper description of this novel without giving away half the story, and yet, it doesn't feel bogged down. Rothman has woven together a lifetime of intricate details and pulled them together into a tight epic novel that exposes the harsh realities of gender roles while also telling a touching love story. She is a superb story-teller and skilled writer you don't want to miss.

Rating: $$$

ARC received courtesy of Soho Press

The Throne of Fire: Rick Riordan

The Throne of Fire is Book Two in Rick Riordan's Kane Chronicles series, featuring a brother and sister team who are trying to protect the world from the gods and goddesses of ancient Egypt. In this second installment, Carter and Sadie are on a mission to awaken the sun god, Ra, before Apophis is freed from the Duat (think of it as the underworld).

After the adventure of The Red Pyramid, Carter and Sadie have returned to Brooklyn to start a school for magicians, knowing that they will need to raise an army before Set returns to make his claim on the world. The school introduces readers to some new characters, most importantly Jaz--a feisty healer, and Walt--a good-looking charm maker. Having had a dream in which Horus directed Carter to obtain the three scrolls of Ra, The Throne of Fire opens with a heist to steal the first scroll from a museum. When things go a little sideways, the heat is on to stay one step ahead of Set and his plans to free Apophis. Of course awaking Ra and returning him to his path through the sky is no easy task, and Carter and Sadie will face new demons and monsters, as well as some ancient sibling rivalry on their path to Ra's new morning.

I think it's fair to say that I was disappointed with this book. The story is interesting enough, but it seemed slow-paced. I kept waiting for the action to pick up, which only happened at the very end. I also notice that Riordan's writing doesn't seem to be improving. There is little difference between the Percy Jackson narration and the Kane narration. The siblings are supposedly very different, having been raised separately--Carter is the darker of the two and was raised on the road by his archaeologist father, Sadie is the sassy girl raised by her grandparents in England-- and yet I don't notice when they switch narrators; Carter and Sadie have essentially the same voice.

Which is not to say it was all bad. My favorite part of Riordan's stories is the history. Ancient Egypt literally comes alive in this book, educating readers about so many Egyptian gods and their fables. The gods are colorful characters who add dimension to Riordan's world.

I have hope that the final book in this trilogy will offer more of the excitement and adventure that Riordan has taught me to expect.

Rating: $.5

A Great And Terrible Beauty: Libba Bray

Don't you hate it when you pick up a book and only after getting involved in the story, find out that it's the first in a trilogy? Because now I'm totally hooked and I will not be able to sleep until I find the other two books in this series and devour them.

It's the late 19th century in India and sixteen year old Gemma Doyle has started having visions--visions that quickly become reality. After witnessing her mother's strange death, Gemma is sent to an all girls boarding school in England where she encounters an unusual gypsy named Kartik who warns her against using her new-found powers. As a social parriah, Gemma befriends Ann, "the scholarship girl", who is the victim of ceaseless bullying from the most popular girls. When Gemma finds leader-of-the-pack Felicity in a compromising situation, she enters into a manipulative friendship with Felicity and her cohort, the beautiful Pippa. After Gemma finds the secret diary of Mary Dowd--a former student-- that explains the powers that Gemma has uncovered, life takes a turn for the wonderful. Gemma, Ann, Felicity, and Pippa form a kind of coven in which they wield powers beyond mortal recognition. Gemma acts as a conduit for the "great and terrible" powers, making her very popular while honing her skills. It doesn't take long for the power-hungry Felicity to get carried away, and soon Gemma is forced into making a decision that may cost her everything.

This review is difficult to write because there is SO much happening. The cast is wide and diverse and the story is complicated. I loved it! I'm just not sure how to tell you readers what I loved about it. Gemma is awesome, I like her as a person. I loved the Realms and the possibilities they offered. The scenes of magic are technicolor in their descriptions and creativity. The prose isn't stunning, but Bray is a wonderful storyteller. I don't know what else to tell you about this book except, go get it!

Rating: $$$

The Lake: Banana Yoshimoto, Translated by Michael Emmerich

Oh B, you've done it again! Banana Yoshimoto is such a compelling author that I chose to read The Lake without knowing anything about the book. I now believe that Yoshimoto's real gift is in relaying a story by putting the plot into emotional sequences rather than words.

Here's what I mean. The Lake is told as a story about a young woman, Chihiro, and a young man, Nakajima who begin as neighbors and move through the murky waters of friendship and into relationship. They are both slightly broken people, so their relationship faces challenges and hurdles that not everyone experiences. While reading The Lake I wasn't sure if the story was about Chihiro or Nakajima, and I had no idea to which lake the title refers to. Now that I'm finished reading it, I understand that The Lake isn't about one person; it's a story of healing. So much of what we experience as individuals can't be faced alone--we need a partner to go through life with who can help dissipate the burden of our worst moments and share in the joy of our best.

Since this is such an emotional drama, I can't comment on characterization or plot devices. Yoshimoto's novellas consistently push the boundaries of writing and urge readers to look beyond plot and character to see the deeper underlying philosophies. She is a master of the big picture, evoking emotion with sparse words set against the stark landscape of Japan's countryside.

One of the things I can comment on and will do so freely, is the translation. The Lake was translated by Michael Emmerich, who is either a genius story teller or a master translator. Quite possibly both. It is my understanding that translation can take one of two paths--true to the words, or true to their meaning. Many translations in modern fiction rely heavily on the translation of meaning, giving the translator a bit of creative license with the vocabulary. When I read Banana Yoshimoto's work, I can hear her reading the words aloud. I don't hear the voice of a translator, but the honest and concise narration of a deeply intuitive author. This is a huge props to both the author and the translator.

I doubt this novella will go over with the strictly linear crowd who want to read a story with minutiae, but for anyone who has ever had a trauma in their life and had to continue living the day to day life on their own, this book will be a revelation.

Rating: $$$

ARC received courtesy of Melville House Publishing

Between Two Ends: David Ward

Some books are so good that you want to get lost in them. You want to wander the streets of Revolution's France, smell the salty Sea Wolf's air, and wish upon Pinocchio's stars. What story would you choose to wake up in?

Yeats is a smart kid. He knows that his dad, William, has been depressed for a very long time and that his parents are on the verge of divorce. He also knows that for some reason, this trip to his grandmothers house is a last ditch effort to save his father's sanity and marriage. Gran's house is old and kind of creepy, filled with strange and timeless wonders. Gran has one house guest, Mr. Sutcliff, who is the grandfather of a girl that William knew when he was a kid. As children, Shari and William played together and read through the books in the magical library. When Shari disappeared, William was devastated. He couldn't remember anything about her disappearance, leading him to believe he had gone insane. Shortly after arriving at Gran's house, while the adults talk about magic and history, Yeats wanders into the garden where he finds a bronze pirate bookend. When he replaces the bronze pirate in the library, he unknowingly reunites a pair of magical bookends that make him an offer. The pirates, known as Skin and Bones, have the ability to take Yeats into any story he wants. Having heard that William and Shari once got lost in the story of 1001 Arabian Nights, Yeats decides to go into the story where he believes Shari has been living for the last twenty years. What seems like a simple plan to find Shari and bring her home turns into a wild adventure that threatens to cost Yeats his life.

Yeats is kind of an average kid. There's nothing spectacular about him, which might be his appeal. However, he does seem incredibly courageous, which is kind of a necessary quality for a young hero. I really enjoyed the characters of Skin and Bones but I had a hard time finding the differences between them--I guess pirates are all one and the same. I was okay with that, though, because after all, they're only bookends so they don't have to be multi-dimensional characters. Shari was the weakest character in my opinion. Her transition from the role of Shaharazad back to her Shari self was a little too tidy for me. She strikes me as a somewhat typical ingénue, showing sparks of bravery and gumption, but never really filling out her character. Also, I would have liked to see more of Gran. She seems like a spunky old lady who could have so much more to say. The way the book left off, I can't help but think that there's another one (or two) in the works, so maybe we'll see the characters evolve a bit in the future.

It seems like magic is a common theme in young adult books these days. I suppose that's because magic offers so many limitless possibilities. I admit that I enjoy a good magical story, but I especially love the combination of magic and books. The magic that I see in real life can always be explained in some way, but in a story magic doesn't have to have logic. No science required. David Ward has created a delightfully magical story in which characters boat through the sea of words to get to the living lands of a book, and fight for their life to return to reality.

ARC received courtesy of Abrams Books

Rating: $$

Good Night, Little Sea Otter: Janet Halfmann & Wish Williams

I don't think it will come as a surprise that I am a fan of children's books that star critters as the main characters. If that critter happens to be a cute, furry baby, I am in love. Needless to say, Good Night, Little Sea Otter captured my otter-lovin' heart.

It's bedtime and Little Sea Otter is putting off sleep, as so many children do, by taking time to say goodnight to every living creature he can find. Patient Mama Otter helps Little Sea Otter say goodnight to all the animals in the sea: the harbor seals and sea lions, the seagulls, the fish and crustaceans, and finally, the moon and stars.

Wish Williams illustrates this darling storybook with a combination of adorable cartoon-esque creatures, and beautiful, abstract skies and landscapes. The undersea details and colors are bright and entertaining--it's easy to imagine any kid searching the artworks for details.

I just love this book! It's so cute and so rhythmically written. What a great bedtime story!

ARC received courtesy of Star Bright Books.

Rating: $$$

The Midwife's Confession: Diane Chamberlain

It took me awhile to get into The Midwife's Confession. I can't explain why though, because once I did get into it, I was riveted. Before you get too bored with the details, let me excite your interest by telling you that this book is one big bag of secrets. Some of them shocking, some of them not so much, but all of them interesting.

Noelle is a midwife and has been since her youth. Bringing new life into the world is what Noelle was born to do. Single and childless, Noelle has spent her life reveling in the lives of her best friends, Emerson and Tara. When Noelle kills herself without any explanation, Tara and Emerson jump into the messy secrets that made up Noelle's life. Some of her secrets are juicy--like her love affairs--and some were startling--like the death of a baby on her watch. Emerson and Tara unravel the real life of Noelle and find that they never really knew her at all.

This is a twisty-turny book. Just when I thought I had something figured out, I was surprised again with some new revelation. In my mind, that indicates good writing. I might even compare the writing to Jodi Picoult, in that same dark, twisty sense. While reading, I was torn between feeling that the characters were very real, and praying that they weren't, because the kind of pain that comes out in this story is just plain ugly.

I really enjoyed some of the characters, but I struggled with the narration a bit. The book is told in chapters, each narrated by either Noelle, Emerson, or Tara. The narration shift wasn't confusing, but I was a little disappointed in the lack of narrative voice that Chamberlain created with each character. Noelle has a distinct narration, but Emerson and Tara have almost identical narratives even though they are supposedly very different types of people. Fortunately the descriptions were written well enough that I was able to identify who was who.

Honestly, I was surprised by how much I enjoyed this novel. It's very chick-lit-y, but it's really good chick lit. There are no helpless or whiny women in The Midwife's Confession; just very strong, competent individuals who share a strange and complicated past.

Rating: $$.5

ARC received courtesy of MIRA.

Persuasion: Jane Austen

Persuasion is like a tween movie. Very little happens, and what little action the book does contain, is reserved to longing sideways glances and bated breath. Someone takes a bad fall. Some folks fall in love. In the typical Victorian ways, many people go calling on other people. One gentleman is exposed as a cad. In the end, they all live happily ever after. It's not a complicated plot, and it's certainly not unique. It is, however, like every Austen novel I've read, simply charming.

Anne Elliot is an old maid. She's 27 years old and unmarried. She may as well be dead (I can relate!). What makes her situation so much worse is that she had a suitor in her younger years, but was persuaded to forego the attachment because of Mister Frederick Wentworth's lower standing. The poor girl is now alone and heart-crushed, watching as her friends and sisters marry (I can relate!). Then things take an interesting turn when, down on his luck, Anne's father, Sir Walter, must rent out their estate at Kellynch because they have fallen so far in debt. And wonder of wonders, who should be the new renters, but The Crofts--sister and brother-in-law of the newly Captained Frederick Wentworth! Now that Wentworth is a Captain, he is welcomed into the neighborhood and the two sisters of Anne's brother-in-law, Louisa and Henrietta, begin vying for his attention, hoping to make a fortuitous match. A chain of events follows that ultimately shows Captain Wentworth that he never stopped loving Anne--who, of course, has never stopped loving Wentworth. There is a bit of manipulation in which William Elliot--Anne's cousin--makes a few overtures in her direction, but she sees through him, and has no trouble shutting him down. And they all live happily ever after.

Maybe I've been blind to it before, but I have never heard Austen write with such sexism before. I felt like throwing the book across the room on multiple occasions. While Anne is a lovely character, she is so stifled. She is surrounded by people, all telling her what to do, who to marry, what to think. And she does it! The insipid characters of Louisa and Henrietta are no better. Anne's elder sister, Elizabeth is a pushy broad, and the younger sister, Mary, is a hypochondriac. The only female character I can respect is Lady Russell, who also happens to be the woman who persuaded Anne not to marry Wentworth. Where are the Elizabeth Bennets? The Emmas? Austen, you have failed me with this one.

Aside from the characters, the plot was just too played out for me. There is so little romance in this romance novel, that I lost interest multiple times. Of course Miss Austen regales us with plenty of sweeping landscapes and rich tapestries of conversation, but there's very little to get excited about. The biggest event in Persuasion comes when a young lady takes a fall and gains a concussion.

An interesting tidbit about this novel; Jane Austen once played the role of Lady Russell in the life of her own niece. It is commonly believed that Jane Austen later regretted having such an influence over her niece, wishing instead that the young lady had made her own decision. This, her last completed novel, examines the many ways in which we can be persuaded, and how we may be effected. It is with my dearest wishes that I choose believe that Jane Austen wrote a novel full of weakly women as an illustration of what kind of person can be so easily swayed. Surely it is a farce--an encouragement to women everywhere to avoid being an Anne by making their own decisions and choosing happiness before it's too late.

Rating: $$

S'Mother: Adam Chester

As a person with a slightly crazed mother, I was drawn to Adam Chester's book, S'Mother, which is basically just a collection of his mother's crazed letters. What's that? Humor? Crazy Mother? Count me in! Adam Chester is, like myself, the only child of a single parent. We are a special group of people who know the realities of overprotective mothers and the complete inability to shrug off some of mom's nuttiness onto someone else. We are often victims of complete and utter public humiliation. We are frequently leaned upon, forcing us into responsibilities beyond our age. We are undoubtedly loved in the very best ways that our cuckoo mothers are able. Chester just happens to have kept all of the panicked little notes and letters that his mother sent him, so that we now have them here in a lovely collection of neuroses.

S'Mother begins with an introduction to Adam's Mother in a seemingly harmless tale about the day she brought his sweater to him at school. Except Adam's Mother isn't like any normal mother. Adam's Mother marches herself into the boys locker room while Adam is in gym class and embarrasses him in front of the entire Junior High by handing over his sweater and loudly stating "You forgot to bring your sweater. It's going to rain today!" I mean really, Junior High? Into the locker room? The woman has no boundaries. And so begins the saga of an overprotective mother constantly intruding on her son's life--mostly with regards to her Will, should she suddenly pass away.

Here's my hesitation. The letters are sort of funny, in an oddball kind of way. Chester's narration is kind of funny. There are a few formatting things that distracted me (for example, not everything in parentheses needs to be italicized), but that was minor. So why didn't I laugh? I kind of expected to find some truly humiliating stories that would make me laugh out loud. Or at least chuckle a little. I was certainly captivated by the narrative, and I enjoyed the stories about Chester's life experiences (a bear hug from Barry White! Christmas cards from Elton John!), but the letters from his mother were just...letters from his mother. Sure she's a little wacky. Of course there's no need for an adult man to be reminded to wear a coat in the snow. But she's a little old lady with practically nothing else do, given she has no husband or children. Her uber-involvement in his life is to be expected. Then again, considering my own mother-daughter situation, I may be biased???

I'd like to know what "normal" people think of this book. Is it funny if it isn't quite so familiar?

Rating: $$

ARC provided courtesy of Abrams

The Goddess Test: Aimee Carter

I'm not sure what I expected to find when I chose to read The Goddess Test, but I somehow didn't think I'd be reading about the Greek gods again. However, this is not another Percy Jackson story.

Kate's mother is dying of cancer. Her last wish is that Kate take her to the little town of Eden, where she can end her days peacefully. While trying to care for her ailing mother and spend as much time with her as possible, Kate also has to battle the challenges of being a new student at a new school. Ava, the pretty, popular girl, takes an almost immediate disliking to Kate, making her life in Eden hellish. Kate's one friend is an outcast named James. However, Eden is not what it appears to be, and when Ava plays a sickening trick on Kate, things get really strange. A man appears from out of nowhere to bring Ava back to life and make Kate an offer of immortality. Henry is dark, handsome, and mysterious...oh yeah, and he also happens to be the god of the underworld, Hades. He has the power to offer Kate more time with her dying mother, but only if Kate agrees to spend 6 months of the year with him in Eden, attempting to pass seven tests of character to determine if she is fit to rule the underworld with him. Initially Kate shrugs him off as a crazy person, no more powerful than a rich eccentric. But when her mother falls into a coma and Ava's miracle of life is revoked, Kate is willing to try anything, including moving in to Henry'd home. Life in Eden manor is exquisite, and Kate finds herself falling in love with Henry. The only problem is that Henry is still heartbroken over Persephone--the woman he loved, who loved a mortal, causing her to give up her immortality and leaving Mount Olympus forever. Kate continues to learn her Greek mythology (except in Eden it's history and not mythology), and as she grows more determined to stay with Henry, he softens towards her, anxious to make her his wife and thereby saving his job as god of the underworld. Unfortunately someone is trying to prevent Kate from passing the Goddess Test and if she fails the test, she may lose Henry and her life.

I can't tell you how much I enjoyed this book. I admit, I was confused at first. Hades appearing in the middle of a small town was so incongruent that I spent the first few chapters trying to wrap my head around the basic idea. But then Henry became a central character and I was so in love with the god of the underworld that I didn't care that the story was implausible. Aimee Carter is a creative writer with new ideas about the Greek gods--fresh ideas about a cast of characters that have nearly become as passé as vampires and werewolves. Carter shifts the focus off of Zeus and Hera, to highlight some of the lesser known gods and their myths. The cast of characters--including the mortals and the undead--is fresh-faced and fascinating. Kate is endearingly flawed and self-conscious, with just enough courage and strength to make her a goddess candidate.

The only thing I didn't like about this book is that it appears to be the first in a series, which means I have to wait to find out what happens next!

Rating: $$$

ARC received courtesy of Harlequin Teen

A Kiss Goodbye: Audrey Penn & Barbara L. Gibson

Another volume in the Chester Raccoon series, A Kiss Goodbye illustrates the challenges of moving to a new home. Any kid who has had to leave their home, friends, and school, knows how hard it is to get comfortable with change.

Chester announces that he's not moving. He wants to stay in his tree with his friends, where he's always lived. When Chester's mother encourages him to think of it as an adventure, Chester recounts the many adventures he's had that did not go well. When Chester continues to resist, his mother points out that their home tree and many of the surrounding trees have been marked to be cut down for wood, and if Chester stays, he will be all alone because the other animals are leaving, too. When Chester begrudgingly agrees to move with his mother and Ronny, he spends some time saying goodbye to his home. At their new home, Chester meets someone new to befriend, proving that moving really can be an adventure.

I was so hopeful for this story. Penn dances around the issue of clear-cutting and the devastation that deforestation leaves behind. I know that this story is about the adventure of leaving home, and not a social criticism, but I felt like there was so much potential for this lovable forest animal to do a little more teaching.

I was also disappointed in Gibson's art this time. The illustrations felt a little more cartoonish than the other Chester books. They're still very bright and colorful, but I just wasn't in love with the art this time.

Rating: $$

ARC received courtesy of Tanglewood

The Mice of Bistrot des Sept Frères: Marie Le Tourneau with Danielle Reed Baty

I have a love of all things French, so when I had the chance to read about a family of mice who run a French Bistro, I didn't have to think twice. Besides--just look at the illustrations!

Perfectly translated, Marie Le Tourneau's storybook is about the mice of the Seven Brothers Bistro. Among bright, full-page illustrations, the story of a family of mice unravels, describing the role of each mouse. Chef Marcel is renowned for his Award-Winning cheese soup, which he makes with the assistance of his seven sons. When it comes time to make the award-winning soup for the annual competition again, Chef Marcel must run an errand to purchase the Secret Ingredient, leaving his sons in the kitchen to start cooking the cheese soup without him. When Marcel doesn't make it back in time, the youngest mouse--and only girl--Michelle, quietly walks to the stove and finishes the soup with her own ingredients. The result is a Happy Ending and the renaming of the bistro to Le Bistrot des Sept Frères et une Sœur (The Seven Brothers and One Sister Bistro).

The story of these minuscule chefs is darling, but the real joy in this book comes from the illustrations. Inspired by the French Art Nouveau, The Mice of Bistrot des Sept Frères is filled with beautifully detailed line drawings. It's also incredibly charming to come across bilingual children's books. Le Tourneau has included a glossary of French pronunciations for her young readers.

Whether your little ones can read or not, they will enjoy searching through the illustrations to find the details. This would be a great picture book for early readers.

Rating: $$$

ARC received courtesy of Tanglewood